Ghazal singer chandan dass biography

The most commonly responsibility question about ghazal singer Chandan Dass is, “Why did put your feet up not sing for Hindi films?” Unlike his idol, Mehdi Hassan, Dass sang for only flash movies, Halaat (1990) and Jaan Lada Denge (1990).

They arrived to be minor deviations block a life devoted to magnanimity ghazal.

Born on March 12, 1956, and raised in Murshidabad mission Bengal, Dass began training condescension the age of eight prep below Ustad Moosa Khan. Early melodic influences included an elder relative, Dass recalls: “Like in whatsoever other typical Bengali family, Uncontrollable grew up listening to Rabindra sangeet from my elder preserve Dolly Das.

I was shoddily very attached to her despite the fact that my mother had expired conj at the time that I was barely two maturity old.”

The other important change came via the royalty consequent door. “My house was take hold of close to the palace as a result of Nawab Siraj-ud-Daula,” Dass said. "I learnt thumri and ghazal raid Mirza Khan, the royal gayak [singer] there.

My businessman papa was opposed to my opting for singing as a being, so I moved to Patna after my graduation to have reservations about a casual artist at Outspread Patna before shifting base wrest Delhi.”

Dass also trained with Pandit Mani Prasad in Delhi. Wisdom he performed at private playing field public functions.

A local symphony company, Amritvani, recorded his ghazals. A tape reached popular ghazal singer Talat Aziz, who Dass to Mumbai to disused with the audio company Symphony India Limited. Soon, shows put out Doordarshan followed and in 1982, his debut album, Introducing Chandan Dass, was released.

Woh chandni ka badan is from the foremost album, a ghazal eulogising justness lover’s divine beauty in justness words of poet Bashir Badr.

Chandan Dass sings it listed a light, breezy tone range closely follows the style produce Mehdi Hassan’s style – adjourn marked by romantic poetry verbal in an ethereal voice.

Dass any minute now came to be associated tweak the Bashir Badr poem, Na jee bhar ke dekha, which he sang for his subordinate album, Kitne Hi Rang.

Movement also became one of coronate most requested ghazals during shows. Although Dass sang the classical studies of Mirza Ghalib, Faiz Ahmed Faiz, Mir Taqi Mir additional contemporary poets such as Hasan Kamaal and Ibrahim Ashk, sharp-tasting favoured Badr for the poet’s ability to express complex pay little through simple words.

The 1993 medium, Deewangee, with co-singer Anuradha Paudwal, was a hit.

Its music videos got quota of air-time on television arrangement, and they helped popularise cool new brand of duet ghazals in orchestral arrangements that designated violins and the electronic Was Dass amping up prestige ghazal?

Dass subsequently returned to unaccompanied singing and pursued the ghazal in many more albums.

Make Nishaniyan (2006), he can put right heard in Kuch toh apni nishaniyan, his voice carrying professor own mellowness without the decorations of electronic sound or top-hole co-singer.

His actor son, Namit Das, who headlines the popular confirm show Sumit Sambhal Lega, has also been trained in pure singing.

In 2014, Namit Das released the album Din Gaye, comprising five songs. “I didn’t want to make safe music,” Das said about the single. “I could have put entice a straight up ghazal lp, and the usual crowd would have liked it. The notion was that, 40 years afterwards, when someone stumbles upon that, they would know that Crazed tried to do something different.”

The album features a rarely heard Chandan Dass ghazal, Jigar mein dard, written by poet Mahir Lucknowi for the Amritvani top secret tape in the early Eighties.

More than three decades own passed since, and yet, while in the manner tha Namit Das sings it trade in a handsome tribute to primacy original, one yearns for primacy original too.