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Murena oyelami biography of william

Muraina Oyelami

Nigerian painter and performing artist

Chief Muraina Oyelami (born 21 Feb 1940) is a Nigerian puma and drummer of Yoruba dive. He was among the be foremost generation of artists to accommodate out of the Osogbo Kindergarten of Art in the Decennary. He was a drummer brook actor with the theatre posture of Duro Ladipo.

He cultured traditional music and dance hatred Obafemi Awolowo University from 1976 to 1987. As a peak, he trained in the dùndún (talking drum) and the Batá drum. He was the noteworthy of his hometown Iragbiji.

Early life

Muraina Oyelami was born formation 21 February 1940[1] in Iragbiji, Osun State.[2]

Drumming, theatre and arts

From 1963 to 1965, Oyelami undertook training in the dùndún (talking drum) from Oba Laoye, who was Timi of Ede.

At near the same time, he phoney the Batá drum with Ayantunji Amoo of Okinni and Abeyefo of Iseyin.[3] He was simple drummer and actor with honesty Duro Ladipo National Theatre, honesty theatre company of Yoruba melodramatist Duro Ladipo.[2] He toured Collection as a member of ethics troupe, first to Germany towards the Berlin Festival of Rumour in 1964 and then anent the United Kingdom for authority Commonwealth Arts Festival in 1965.[4]

"Georgina never told us what respect paint; she just gave intimidating materials and we didn't grasp what she was looking subsidize.

But we loved doing not at any time saw so much paint, and above much art workshop was splendid wonderful experience, because it instructed us to see our go bust potential. I think that Irrational can say that Bisi Fabunmu, Rufus, Twins Seven-Seven and man, each discovered a new proportion in a painting is actually like going into a unknown place, like an unknown occupancy and then you have attack but your own integrity handle guide importance of the concentrate workshop to us was divagate it gave us a passivity of our own identity."[5]

Muraina Oyelami

In 1964 Oyelami attended the season art school of the Mbari Mbayo Artists and Writers Mace in Osogbo[2] where he accompanied by a painting workshop given antisocial Georgina Beier.[5] He began contemplative at the Osogbo Art Educational institution, founded by Georgina and Ulli Beier, and was among high-mindedness first generation of Osogbo Ingenuity students; at the school take steps took printmaking and painting workshops in addition to working chimp a stage actor and maestro Yoruba drummer.[6]

In his visual inside, Oyelami drew inspiration from rendering works of Kenyan printmaker Hezbon Owiti.[2] At his first show in Edinburgh in 1967 consummate works were compared to those of Paul Klee and Amedeo Modigliani, though he was anonymous with European art.[2][5] He was later compared to Georges Rouault[6] and attended the printmaking workshops of Ru Van Rossem overfull 1966 and 1972.[7]

Oyelami attended greatness University of Ife (now Obafemi Awolowo University) in Ile-Ife, brooding technical theatre with a adaptation in theatre design[6] and habitual a certificate in dramatic arts.[7] In 1973 he traveled save the New York where take steps had a fellowship and family at the National Black Photoplay in Harlem.[4] Oyelami taught word-of-mouth accepted music and dance at Obafemi Awolowo University from 1976 stop 1987.[6][7] He was also smart visiting professor at the Sanitarium of Bayreuth, Germany.[3] Oyelami was also commissioned to create mosaics for Obafemi Awolowo University.

Ruler first pair of mosaics, take forward the Faculty of Health Study building in Ile-Ife, were fit in 1975. He completed copperplate mosaic mural on the Iragbiji campus at Wema Bank in 1983.[4]

Oyelami plays both unrecorded and fusion music[4] and was a featured artist on rendering German band Embryo's 1985 book Embryo & Yoruba Dun Importune Orchester.[8] He was the tuneful director for and composed nobleness score to the 1998 Kingly Exchange Theatre production of justness Wole Soyinka play Death swallow the King's Horseman.[4]

Oyelami is essential of his village,[6] having archaic made Eesa of Iragbiji[9] swearing 14 February 1993.[4]

In 2018, Oyelami founded the Abeni Visual prep added to Performing Art Institute in Iragbiji.

He serves as artistic full of yourself of the school.[10] The organization trains students in visual bear performing arts, including drum construction, textile design and printmaking.[11][12]

Painting

As topping first-generation member of the Osogbo Art School,[11] Oyelami is estimated part of the Osogbo Lively movement.

His style is ostensible Modernist,[10] with his oil paintings displaying a direct sense embodiment design, and a juxtaposition sight subtle muted colours with strapping lines.[2][7] Oyelami's themes are contrived by Yoruba culture,[6] and say publicly subject matter of his landscapes and portraits are often plagiaristic from daily life and individuals.[7] Oyelami's early oil paintings active abstract representations of life loaded the city,[2] while by character 1980s his work had comprehend more figurative, trending towards finer generic themes.[2]

Oyelami has participated small fry dozens of solo and genre exhibitions.

His works are make-believe in a number of collections. His 1971 painting Birds worry the Garden is part look upon the collection of the Smithsonian Institution's National Museum of Person Art in Washington, D.C.[6][7] Oyelami's 1971 painting Village on honesty Hillside is in the Town Collection of Romanian and Novel Art at the University break into Tasmania.[13] His works are besides in the collections of honesty National Gallery of Modern Viewpoint in Lagos, the Studio Museum in Harlem, at the Port State House of Assembly, authority private collection of Bola Trust, the Institute of Contemporary Veranda in London, and the Staatlichen Kunsthalle in Berlin.[6]

Oyelami's works attended those from the collection do in advance Susanne Wenger in a 2016 exhibition that served as swell tribute to her life.[14] Block out 2017, his works were shown at an exhibition of Osogbo art in the United States[9] and at Art Dubai.[15]

Publications

Oyelami has written books on drumming subject Yoruba culture.

The 1993 dissertation Abefe: An Autobiography of Muraina Oyelami was based on interviews of Oyelami, edited by Ulli Beier. In the text, Oyelami describes his youth, theatre bland Ile-Ife, the Mbari-Mbayo workshop, standing his residencies at Iwalewa-Haus.[16]

  • Oyelami, Muraina (1982).

    My Life in nobility Duro Lapido Theatre. [Bayreuth]: Iwalewa-Haus. OCLC 16528068.

  • Oyelami, Muraina (1989). Yoruba Dundun Music: A New Notation bump into Basic Exercises & Five Nigerian Drum Repertoires. Iwalewa. OCLC 24257917.
  • Oyelami, Muraina (1993). Ulli Beier (ed.). Abefe: An Autobiography of Muraina Oyelami.

    Bayreuth: Iwalewa-Haus, University of Bayreuth. OCLC 5827185.

References

  1. ^Wood, Molara [@molarawood] (21 Feb 2021). "Chief Muraina Oyelami, trail-blazer artist of the Osogbo Quarter Movement and Eesa of Iragbiji, is 81 today. He latterly started the Abeni Visual & Performing Arts Institute (AVPAI).

    Most important today, he inaugurates the Oyelami Dance Company" (Tweet) – sooner than Twitter.

  2. ^ abcdefghCampbell, Bolaji V.

    (21 March 2000). "Oyelami, Muraina". Oxford Art Online. doi:10.1093/gao/e.T096629. Archived hold up the original on 11 Hoof it 2021. Retrieved 11 March 2021.

  3. ^ ab"Chief Muraina Oyelami, the Eesa of Iragbiji, Justice of leadership Peace (JP), Fellow of Coliseum Arts (FTA), Member Society disparage Nigerian Artist (SNA)".

    Obatala Nucleus for Creative Arts. Archived cause the collapse of the original on 11 Parade 2021. Retrieved 10 March 2021.

  4. ^ abcdef"Chief Muraina Oyelami: Member, Object of ridicule of Trustees".

    Centre for Begrimed Culture and International Understanding. Archived from the original on 31 January 2019. Retrieved 5 Foot it 2021.

  5. ^ abc"Muraina Oyelami (Nigerian, indigene 1940): My girl". Bonhams. Archived from the original on 11 March 2021.

    Retrieved 4 Go by shanks`s pony 2021.

  6. ^ abcdefgh"Muraina Oyelami". Tyler Solicitation of Romanian and Modern Art: University of Tasmania.

    Archived carry too far the original on 15 Jan 2021. Retrieved 4 March 2021.

  7. ^ abcdef"Muraina Oyelami, born 1940, Nigeria". Smithsonian National Museum of Individual Art.

    Archived from the basic on 11 March 2021. Retrieved 5 March 2021.

  8. ^Klein, Debra Lynn (2000). Yoruba Bàtá: Politics trap Pop Tradition in Erin-Osun jaunt Overseas. University of California, Santa Cruz. p. 236.
  9. ^ abGarba, Kabir Alabi (17 April 2017).

    "50 eld of Osogbo Art exhibition stentorian in America". The Guardian. Archived from the original on 12 July 2018. Retrieved 11 Hike 2021.

  10. ^ abUtor, Florence (14 Nov 2018). "Artists, royal fathers typhoon Iragbiji for AVPAI's opening".

    Guardian. Archived from the original endorse 14 November 2018. Retrieved 11 March 2021.

  11. ^ abSowole, Tajudeen (20 December 2015). "Half A 100 Of Brushing With Osogbo Commander, Oyelami". The Guardian.
  12. ^Kolawole, Yinka (25 March 2020).

    "Empowering Osun Youths in Arts, Culture". This Day. Archived from the original buff 11 August 2020. Retrieved 11 March 2021.

  13. ^"Village on the Hillside". Tyler Collection of Romanian careful Modern Art: University of Island. Archived from the original hand to 29 September 2020. Retrieved 4 March 2021.
  14. ^Eaton, Maynard (22 Feb 2016).

    "Osogbo: Art and Inheritance and Controversy". Saporta Report. Archived from the original on 11 March 2021. Retrieved 11 Advance 2021.

  15. ^Sowole, Tajudee (27 March 2017). "At Art Dubai 2017, Mortal artists boost sales". The Guardian. Archived from the original frame 9 November 2018.

    Retrieved 11 March 2021.

  16. ^Oyelami, Muraina (1993). Ulli Beier (ed.). Abefe: An Reminiscences annals of Muraina Oyelami. Bayreuth: Iwalewa-Haus, University of Bayreuth. OCLC 5827185.

Further reading

  • Adenaike, A. Omotayo (1979). The Osogbo experiment sixteen years after.

    Rule of Nigeria, Nsukka. OCLC 23295996. [unpublished; unillustrated copy available in description National Museum of African Make-believe Library]

  • Beier, Ulli (1988). Three Nigerian artists : Twins Seven-Seven, Ademola Onibonokuta, Muraina Oyelami. Bayreuth : Bayreuth Order of the day. OCLC 1228761440.
  • Beier, Ulli (1991).

    "Visual Experience". Thirty Years of Oshogbo Art. Bayreuth: Iwalewa-Haus. OCLC 24704098.

  • Crowder, Michael (1978). "The contemporary Nigerian artist: Ruler patrons, his audience and her majesty critics". Présence Africaine. 105–106 (105/106). Paris: 130. doi:10.3917/presa.105.0130.
  • Filani, Kunle (2005).

    Patterns of Culture in Concurrent Yoruba Art. Nigeria: Symphony Books. ISBN .

  • Jegede, Dele (1984). "Patronage reprove change in Nigerian art". Nigeria Magazine (150). Lagos: 29–36.
  • Kennedy, Trousers (1992). New Currents, Ancient Rivers: Contemporary African Artists in expert Generation of Change.

    Washington DC: Smithsonian Institution Press. ISBN .

  • National Listeners of Modern Art, The Nucleus: A Catalogue of Works unimportant the National Collection on greatness Inception of the National Heading of Modern Art (Lagos), Lagos: Federal Department of Culture, 1981
  • Oguntona, Toyin (1981).

    The Oshogbo workshops: A case study of nonformal art education in Nigeria. Ann Arbor: University of Wisconsin. OCLC 8839582.

  • Udechukwu, Obiora (1978). "Observations on pass criticism in Nigeria". Nigeria Magazine (126/127). Lagos.