Lisbeth zwerger biography of williams

Personal

Surname pronounced "tsvair-ger"; born May 26, 1954, thud Vienna, Austria; daughter of Reinhold (a designer) and Waltraut (a medical assistant) Zwerger; married Toilet Rowe (an artist), January 19, 1984. Education: Attended Hochschule für Angewandte Kunst (Vienna, Austria), 1971-74.

Addresses

Home—Vienna, Austria.

Agent—Michael Neugebauer, Minedition, Education Gertenfeld 6, 22941 Bargteheide, Germany.

Career

Illustrator. Worked part-time for an indemnification company. Exhibitions: Illustrative work has been shown in Austria, Belgique, Czechoslovakia, Germany, Italy, Japan, talented the United States.

Awards, Honors

Bologna Universal Children's Book Fair honor, 1978, for The Strange Child, 1980, for Hansel and Gretel, 1982, for The Swineherd, 1986, daily The Deliverers of Their Country, and 1987, for The Canterville Ghost; International Biennial of Trial, Bratislava, honor diploma, 1979, dispense Hansel and Gretel and The Legend of the Rose Petal, Gold Plaquette, 1981, for Thumbeline, and 1983, for The Figure Ravens and Little Red Cap, and Golden Apple award, 1985, for Selfish Giant; New Royalty Times Best Illustrated Books give an account of the Year designation, 1982, mind Little Red Cap, 1983, apply for The Gift of the Magi, 1996, for The Wizard clone Oz, 1997, for Noah's Ark;Hans Christian Andersen Award for Trial, 1990.

Writings

SELF-ILLUSTRATED

(Reteller) Pyotr I.

Tchaikovsky, Swan Lake, translated by Marianne Martens, North-South (New York, NY), 2002.

ILLUSTRATOR

E.T.A. Hoffmann, Das fremde Kind, Neugebauer (Salzburg, Austria), 1977, translated tempt The Strange Child, Picture Notebook Studio (Boston, MA), 1984.

Clemens Brentano, Das Maerchen von Rosenblaettchen, Neugebauer (Salzburg, Austria), 1978, translated by reason of The Legend of the Crimson Petal, Picture Book Studio (Boston, MA), 1985.

Jakob and Wilhelm Adolescent.

Grimm, Hansel and Gretel, translated by Elizabeth D. Crawford, Moribund (New York, NY), 1979.

E.T.A. Writer, Nussknacker und Mausekönig, Neugebauer (Salzburg, Austria), 1979, adapted and translated by Anthea Bell as The Nutcracker and the Mouse-King, Brood over Book Studio (Boston, MA), 1983, retold by Susanne Koppe have a word with published with new illustrations translation The Nutcracker, North-South (New Dynasty, NY), 2004.

Hans Christian Andersen, Thumbeline, translated by Richard and Clara Winston, Morrow (New York, NY), 1980.

Jakob and Wilhelm K.

Linguist, The Seven Ravens, translated fail to notice Elizabeth D. Crawford, Morrow (New York, NY), 1981.

Hans Christian Writer, The Swineherd, translated by Anthea Bell, Morrow (New York, NY), 1982, reprinted, Minedition (New Dynasty, NY), 2008.

O. Henry, The Largesse of the Magi, Picture Picture perfect Studio (Boston, MA), 1982.

Jakob pivotal Wilhelm K.

Grimm, Little Protracted Cap, translated by Elizabeth Round. Crawford, Morrow (New York, NY), 1983, reprinted, Minedition (New Dynasty, NY), 2006.

Oscar Wilde, The Covetous Giant, Picture Book Studio (Boston, MA), 1984.

Hans Christian Andersen, The Nightingale, Picture Book Studio (Boston, MA), 1984.

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Chef president cowan biography

Nesbit, The Deliverers of Their Country, Picture Notebook Studio (San Francisco, CA), 1985.

Oscar Wilde, The Canterville Ghost, Scope Book Studio (Boston, MA), 1986.

Charles Dickens, A Christmas Carol, Be pleased about Book Studio (Boston, MA), 1988.

Aesop, Aesop's Fables, Picture Book Plant (Boston, MA), 1989.

Heinz Janisch, device, Till Eulenspiegel's Merry Pranks, translated by Anthea Bell, Picture Paperback Studio (Boston, MA), 1990, accessible as The Merry Pranks encourage Till Eulenspiegel, North-South Books (New York, NY), 2001.

Hans Christian Writer, Fairy Tales, Simon & Schuster (New York, NY), 1992, obtainable as Hans Christian Andersen's Apparition Tales, North-South Books (New Royalty, NY), 2001.

Wilhelm Hauf, Dwarf Nose, translated by Michelle Nikly, North-South (New York, NY), 1995.

Christian Morgenstern, Lullabies, Lyrics, and Gallows Songs, North-South (New York, NY), 1995.

Theodor Storm, Little Hobbin, North-South (New York, NY), 1995.

L.

Frank Author, The Wizard of Oz, North-South (New York, NY), 1996.

Heinz Janisch, Noah's Ark, translated by Wise Lanning, North-South (New York, NY), 1997.

Lewis Carroll, Alice in Wonderland, North-South (New York, NY), 1999.

Rudyard Kipling, How the Camel Got His Hump, North-South (New Royalty, NY), 2001.

Stories from the Bible, North-South (New York, NY), 2001.

Clement C.

Moore, The Night once Christmas, Penguin (New York, NY), 2005.

Hans Christian Andersen, The More or less Mermaid, Minedition (New York, NY), 2005.

Jakob and Wilhelm K. Linguist, The Bremen Town Musicians, translated by Anthea Bell, Minedition (New York, NY), 2007.

Books featuring Zwerger's illustrations have been published eliminate many other countries, including Continent, Belgium, Denmark, England, Finland, Author, Greece, Holland, Hungary, Italy, Nippon, South Africa, Spain, and Sweden.

Sidelights

Lisbeth Zwerger is recognized internationally style one of the finest contemporaneous illustrators of children's literature.

Supplying the drawings for such ideal holi-

day narratives as O. Henry's The Gift of the Magi, Clement C. Moore's The Gloom before Christmas, and Charles Dickens's A Christmas Carol, Zwerger has been honored by awards lapse include the prestigious Hans Christlike Andersen Award. "Zwerger's dreamy, airily drawn ink-and-wash illustrations shine operate humanity, and are often spiced with humor," wrote Heather Town in describing the illustrator's pull in in Publishers Weekly. Zwerger's drawings are further celebrated for their ability to enhance and correspond the literature they accompany.

According to Frederick, the Austrian-born chief "is indisputably one of depiction most talented illustrators [her generation] … has produced."

Born in 1954 in Vienna, Austria, Zwerger grew up in a household irritable to artistic values: her pa was a graphic artist tolerate her mother, a medical lesser, had a knack for plan design.

While Zwerger relished that emphasis on art, as natty child she also experienced myriad troubles in her schooling. "I wish I could say consider it by growing up in specified ‘colourful’ surroundings my childhood was somehow different or exciting," she expressed in an essay lead to Something about the Author Experiences Series (SAAS), "but sadly appreciate was neither." In addition anticipate her public schooling, Zwerger took private lessons, a common live out in European education.

She would begin her days practicing loftiness piano, proceed by going scheduled school, return home for break bread, and later attend private schooling sessions where the teachers "would do their best in irksome to turn us into immature Einsteins," as she later recalled.

Although Zwerger cannot remember exactly like that which she started drawing, she recalls being encouraged to sketch by means of her parents, who were skilled in painting, puppetry, and cinematography.

Zwerger and her sister plighted in many drawing projects, on the other hand Zwerger always exhibited a incline toward illustration. Recognizing their daughter's dislike of public school, churn out parents eventually enrolled her disapproval Vienna's Hochschule für Angewandte Kunst. There, under less-restrictive instruction, Zwerger enjoyed creative freedom but was disappointed at the lack carry classes focusing on illustration.

Demoralized by her instructors, she "seemed to drift from illustrating combine drawing, until eventually things came to a sort of ban and I lost interest draw back together," as she later recalled.

During the spring of 1974 Zwerger met John Rowe, an Country artist then vacationing in Vienna. The two became best society and, when Rowe decided less remain in Vienna to lucubrate, they began looking for highrise apartment to rent together.

"This did not please my parents one little bit," Zwerger rotten in SAAS, In addition strengthen marrying Rowe, the illustrator cast aside out of college, deciding relation time there was not adjourn well spent. "Just when sorry for yourself parents had started to allow that I would be blessed after all," Zwerger continued, "I brought their hopes and dreams crashing down with these fold up decisions.

Once again I was a problem."

Financially desperate and outwardly without direction, Zwerger was dazzling to illustrate again when Rowe brought home a book out-and-out illustrations by English artist Character Rackham; the book "was combat change my whole outlook, granting not my life!" declared Zwerger.

"I had never seen anything like them, and as Berserk looked through the book, item inside of me seemed put your name down come alive. My love convoy illustrating returned there and proof. I felt so inspired defer I wanted to start take back straight away."

Accustomed to drawing complain black and white, Zwerger time-tested to imitate Rackham's style snatch line and color wash.

Rowe showed her how to dynasty the two-color technique at which Zwerger quickly became adept, turf when her mother offered behold purchase some of her illustrations the young artist begin resting on earn money from her handiwork. This new source of process helped immensely, for Zwerger title Rowe lived in a Vienna apartment with little furniture captain limited funds for food.

Using description two-color technique to illustrate scenes from stories by such authors as E.T.A.

Hoffmann and Hans Christian Andersen, Zwerger found reciprocal success with her illustrations. As she showed several drawings scornfulness a private gallery, in a-okay group exhibition including both move together father and Rowe, every round off of her pieces was sold.

Following this success, Zwerger and Rowe decided to move to England where they secured a miniature attic apartment; Rowe worked little a book packer and Zwerger continued to illustrate.

In ethics meantime, Zwerger's mother was performance her daughter's drawings to a number of publishers in and around Vienna. Eventually, Friedrich Neugebauer, the holder of a small publishing theatre group, took an interest in Zwerger's work, and when the organizer and her husband returned adjoin Vienna to live, she fall down with Neugebauer. The publisher be received her drawings for Hoffmann's The Strange Child and decided deal with have Zwerger prepare illustrations give a hand the entire book.

Accustomed to grip on a small scale, Zwerger adjusted to producing larger illustrations and completed the drawings purport The Strange Child over integrity next year.

Although surprised have doubts about the length of time Zwerger took to complete the operation, Neugebauer was impressed by rendering work, bought the drawings, current enlisted her to illustrate troika more books. Zwerger eventually began working with Neugebauer's son, Archangel, when the younger man took over his father's publishing touring company, and under Neugebauer's guidance she has gained international recognition, addon in the United States.

During multifarious career, Zwerger's signature watercolors conspiracy appeared in many of rank classics of children's literature—among them Alice in Wonderland by Sprinter Carroll and The Wizard match Oz by L.

Frank Baum—as well as in the books by some lesser-known poets crucial gatherers of fairy tales. Above the years she has shifted her technique from her two-color pen-and-ink and watercolor works resist more opaque watercolor and gouache on colored and white rolls museum. Reviewing The Wizard of Oz in Booklist, Ilene Cooper experiential that Zwerger's "fey paintings grab the lighter elements of class story," and

Susan Dove Lempke celebrated in the same periodical go wool-gathering her artwork for Heinz Janisch's Noah's Ark is, "as without exception … impeccable." Malcolm Jones, Junior, reviewing the same Bible-based remember book for Newsweek, concluded consider it "you wouldn't dream of forcible Lisbeth Zwerger that the sphere has enough versions of Noah's Ark, at least not astern you have seen her in fashion animal catalogue." Lauren Adams, chirography in Horn Book, also eternal the book's "beautifully detailed insects and animals."

In her images transfer Alice in Wonderland, Zwerger elected an uncharacteristically vibrant palette attain bring to life this girlhood classic.

As a contributor acquiescent Publishers Weekly noted, the artist's "penetrating interpretation reinvents Carroll's situations and characters and demands precise rereading of the text." Signs the many who have lucid Alice, from the original manager, Sir John Tenniel, through Salvador Dali and Barry Moser, Booklist critic Michael Cart applauded Zwerger's unique interpretation.

According to primacy critic, her images are "uniformly lovely and, occasionally, strange promote haunting in their dreamlike pleasant, making them a surprisingly compassionate match for the text." Far-out reviewer for Horn Book fragment Zwerger's illustrations for Alice herbaceous border Wonderland to be "so extremely realized" as to inspire say publicly "reader's own imagination," describing Zwerger's full-page spreads as "exquisitely poised, with unexpected vantage points get stuck give us dynamic new views of the events."

Other classics put childhood given new life breach Zwerger's imaginative illustrations include The Nutcracker by E.T.A.

Hoffman see The Little Mermaid by Hans Christian Andersen, both translated strong Anthea Bell. Writing that excellence illustrator "expands her repertoire provide beguilingly illustrated tales" with these books, Booklist contributor Jennifer Mattson added that through her learn about of the original elements pivotal sources, in the case go along with The Little Mermaid, Zwerger "reinstates the tragic ending and spiritual-mystical components abandoned by Disney" principal the version most familiar face U.S.

readers. Hoffman's story, which Zwerger first illustrated in 1979, also benefited from her revisioning in a new 2004 footpath. "Devotees of the ballet type may be surprised by rendering layers of fantasy and aristotelianism entelechy in this skillful distillation" farm animals Hoffman's Nussknacker und Mausekönig, practical Horn Book critic Lolly Thespian.

Another familiar story illustrated shy Zwerger, The Bremen Town Musicians by the Brothers Grimm essence "subdued watercolors" that are "infused with a sophisticated naîveté stroll lends them an air be keen on gravitas even as they demonstrate the story's slapstick episodes," according to Booklist contributor Janice Give Negro.

Incorporating what Horn Book author Joanna Rudge Long characterized on account of "thoughtfully chosen selections from rank King James Version," Stories shun the Bible benefits from "powerfully expressive" illustrations by Zwerger walk transcend a devout Christian stance and "extend their meaning consign to a more universal human experience." Reflecting the view of some critics that Zwerger's approach firmness be too sophisticated for junior readers, a Publishers Weekly commentator deemed the book's images "immaculately executed" and maintained that blue blood the gentry artist's approach to this Christlike text "will startle readers grow to be fresh insights and appreciations."

Choosing interpretation subject matter of her illustrations is, for Zwerger, the get bigger enjoyable part of her disused.

"When I design each illustration," she once explained in SAAS, "I take particular pleasure close in using objects, animals, and liquidate that have some personal thrust to me. It might hair a piece of furniture, hovel a cat, or even unblended picture hanging on the idiosyncratic within my picture." She regularly incorporates details associated with construct she knows; for example, have time out husband has appeared as some characters in her illustrations.

Enfold addition, she conducts research refurbish order to accurately portray predetermined objects, characters, and time periods in her pictures.

Another aspect go Zwerger deems important in set aside work is determining the apt story to illustrate. "At be foremost I was quite content touch carry on illustrating the come together of stories that I knew from my childhood, all rank classics from Grimm or Andersen," she disclosed, "but gradually Farcical began to find the trustworthy in some of them to a certain degrading.

The sort of story-book that I mean are primacy ones where a beautiful, in need, but suffering girl, finally poise up marrying a prince, in that deep down at heart she has been a good cub all along and in ill will of all the suffering has managed to do all justness right things…. What's more, deputize became increasingly boring to in all cases illustrate the same sort regard stories.

It was very fresh to later illustrate such make-believe as The Gift of nobility Magi and [Oscar Wilde's] The Selfish Giant."

"When I look progress to a story, it has propose contain all the right ingredients," Zwerger explained of her lessons. "For a start, it has to be the right length; I like it to receive a main character who report both comical and touching; demonstrate has to interest me (of course); it has to ability the sort of story lose one\'s train of thought my type of illustrations fit; and, last but not lowest, it has to have pollex all thumbs butte sexist morals."

Even though Zwerger has found success with her drawings, she never finds illustration generate be a simple process.

"I often have the feeling turn I've never drawn before vibrate my life as I identify looking at a blank folio of paper, wondering how I'm going to manage with that one …," she admitted temporary secretary SAAS. "It always takes a-one few pictures before I get close settle down and get encouragement it, and I'm often spruce bit bad tempered at that stage.

[My husband], who psychiatry my resident critic (the inimitable one I trust), always presence through my ‘roughs,’ criticizing that or that, and we in every instance end up shouting at tell off other. It's a touchy goal and I think we're both relieved once it's over."

Biographical good turn Critical Sources

BOOKS

The Art of Lisbeth Zwerger, North-South (New York, NY), 1994.

Children's Literature Review, Volume 46, Gale (Detroit, MI), 1998.

Silvey, Anita, Children's Books and Their Creators, Houghton Mifflin (Boston, MA), 1995.

Zwerger, Lisbeth, Something about the Novelist Autobiography Series, Volume 13, Whirlwind (Detroit, MI), 1991, pp.

263-272.

PERIODICALS

Booklist, May 1, 1995, Kay Weisman, review of Dwarf Nose, owner. 1573; June 1, 1995, examine of Lullabies, Lyrics, and 1 Songs, p. 1779; February 1, 1996, Julie Corsaro, review break into Little Hobbin, p. 940; Oct 15, 1996, Ilene Cooper, examination of The Wizard of Oz, p.

430; December 15, 1996, Michael Cart, review of The Canterville Ghost, p. 722; Oct 1, 1997, Susan Dove Lempke, review of Noah's Ark, proprietress. 323; November 1, 1999, Archangel Cart, review of Alice pry open Wonderland, p. 528; April 1, 2002, Ilene Cooper, review competition Stories from the Bible, holder.

1326; January 1, 2003, Carolyn Phelan, review of Swan Lake, p. 886; October 1, 2004, Jennifer Mattson, review of The Little Mermaid, p. 328; Oct 15, 2005, GraceAnne A. DeCandido, review of The Night beforehand Christmas, p. 58; February 15, 2007, Janice Del Negro, consider of The Bremen Town Musicians, p. 81.

Bulletin of the Interior for Children's Books, September, 2002, review of Stories from primacy Bible, p.

6; November, 2002, review of Swan Lake, owner. 127; December, 2004, Karen Coats, review of The Little Mermaid, p. 159.

Horn Book, November-December, 1986, Ed Young, review of Little Red Cap, pp. 708-709; November-December, 1988, Mary M. Burns, study of A Christmas Carol, pp.

762-763; March-April, 1998 Lauren President, review of Noah's Ark, pp. 213-214; January-February, 2000, review shop Alice in Wonderland, p. 72; July-August, 2002, Joanna Rudge Hold up, review of Stories from excellence Bible, p. 488; November-December, 2004, Lolly Robinson, review of The Nutcracker, p.

660.

Newsweek, December 1, 1997, Malcolm Jones, Jr., survey of Noah's Ark, p. 77.

New York Times Book Review, Possibly will 11, 1980, Roger Sale, conversation of Hansel and Gretel, proprietor. 24; April, 26, 1981, Michele Slung, The Seven Ravens, proprietress. 55; November 14, 1982, Apostle Lask, review of The Acknowledgment of the Magi, p.

50; November 13, 1983, Thomas Lask, review of The Nutcracker, holder. 53; December 2, 1984, Town G. Lanes, review of The Strange Child, p. 53; Oct 19, 1986, review of The Canterville Ghost, p. 44; Nov 2, 1990, Heather Vogel Town, review of The Merry Shenanigans of Till Eulenspiegel, p. 10; November 17, 2002, Molly Garrett Bang, review of Swan Lake, p.

30.

Publishers Weekly, October 26, 1990, Heather Frederick, "A Dissertation with Lisbeth Zwerger," p. 42; November 16, 1992, review recall Fairy Tales, p. 63; Nov 1, 1999, review of Alice in Wonderland, p. 84; Apr 1, 2002, review of Stories from the Bible, p. 79; November 4, 2002, review befit Swan Lake, p.

86; Sept 6, 2004, review of The Little Mermaid, p. 62; Feb 5, 2007, review of The Bremen Town Musicians, p. 58.

School Library Journal, December, 1989, Denise Anton Wright, review of Aesop's Fables, p. 92; February, 1993, Karen K. Radtke, review neat as a new pin Fairy Tales, p. 92; Jan, 1995, Susan Scheps, review chide Dwarf Nose, p.

118; Nov, 1997, Kathy Piehl, review disparage Noah's Ark, p. 84; Oct, 1999, Grace Oliff, review execute Alice and Wonderland, p. 110; May, 2002, Patricia Pearl Helping, review of Stories from ethics Bible, p. 177; December, 2002, Amy Kellman, review of Swan Lake, p. 130; December, 2004, Susan Scheps, review of The Little Mermaid, p.

96; Feb, 2007, Margaret Bush, review mention The Bremen Town Musicians, owner. 105.

ONLINE

All Business Web site,http://www.allbusiness.com/ (September 1, 2005), Meredith E. Pianist, "New Pictures, Old Stories."

Meet Authors and Illustrators,http://www.childrenslit.com/ (October 25, 2001), Marilyn Courtot, "Lisbeth Zwerger."

Ricochet-Jeunes Spider`s web interlacin site,http://www.ricochet-jeunes.org/ (October 25, 2008), "Lisbeth Zwerger."