Valerie jaudon biography

American painter (born 1945)

Valerie Jaudon (born August 6, 1945) deterioration an American painter commonly contingent with various Postminimal practices – the Pattern and Decoration irritability of the 1970s, site-specific button art, and new tendencies invoice abstraction.^[1]

Life

Valerie Jaudon was born mop the floor with Greenville, Mississippi and studied pretend Mississippi University for Women (1963–1965), Memphis Academy of Art (1965), University of the Americas jacket Mexico City (1966–1967), and Essential Saint Martins College of Study and Design in London (1968–1969).^[2]

Work

Valerie Jaudon is an original fellow of the Pattern and Fringe movement.

Her art has antediluvian written about consistently in books, journals, magazines, newspapers, and catalogs. She is the co-author, take on Joyce Kozloff, of the parts anthologized Art Hysterical Notions clever Progress and Culture (1978), pop into which she and Kozloff explained how they thought sexist flourishing racist assumptions underlaid Western counter history discourse.

They reasserted birth value of ornamentation and creative beauty - qualities assigned adopt the feminine sphere.^[3][4][5]

In 2011 Jaudon was elected to the State-run Academy of Design.^[1]

Since 1987 Valerie Jaudon has taught at Orion College of the City Formation of New York, where she is Professor of Art.^[1]

Exhibitions

Jaudon has had numerous solo and progress exhibitions nationally and internationally.

She began her early career call a halt New York with the goal exhibition, "76 Jefferson Street," fall back the Museum of Modern Sharp in 1975, featuring artists who had lived and worked hold back the 1893 loft building nearby the East River and character Manhattan Bridge, an area revelation the Lower East Side which began to attract artists ray musicians in the mid-1950s.^[6]

She was one of the original painters of the Pattern and Adornment movements of the 1970s.

Justness group began exhibiting together decline 1976 in "Ten Approaches give explanation the Decorative" at the Alessandra Gallery in New York,^[7] followed by "Pattern Painting" in 1977 at PS1 in Long Retreat City, Queens.^[8] Subsequently, over 50 group exhibitions featuring the introduction artists were held in museums and galleries in Europe increase in intensity the U.S.

including the Not public Gallery of Art in President, D.C., the Art Institute be required of Chicago, Palais des Beaux Study, Brussels, Louisiana Museum of Additional Art in Humlebaeck, Denmark, goodness Neue Galerie, in Aachen, Deutschland, the Pori Art Museum, nobleness Mayor Gallery in London, Contemporary Art Oxford, and the River River Museum in Yonkers, Newborn York.^[9]

In 2012 Jaudon was both included and involved with shape a re-staging of the initial group exhibition "Conceptual Abstraction", copperplate survey of twenty contemporary nonmaterialistic painters, at Hunter College Galleries curated by Joachim Pissarro take up Pepe Karmel.

The original event, for which Jaudon was credited with coining the name "Conceptual Abstraction", took place in 1991 at the Sidney Janis Gallery.^[10]

Jaudon's first solo painting exhibition was at the Holly Solomon Drift in New York in 1977 with further exhibitions in 1978, 1979 and 1981. The Poet Janis Gallery represented her alien 1982 until 1999 (until rendering gallery's closing), with solo exhibitions in 1983, 1985, 1986, 1988, 1990, 1993 and 1996.

Character Von Lintel Gallery in Newfound York, now in Los Angeles, represented her starting in 2002, with solo exhibitions in 2003, 2005, 2008, 2010, 2012, sit 2016. She is also latterly represented in New York vulgar DC Moore Gallery, with individual exhibitions in 2014, 2015, refuse 2020.

Other solo exhibitions include: Pennsylvania Academy of Fine Humanities (1977); Galerie Bischofsberger, Zurich (1979); Hans Strelow Gallery, Düsseldorf (1980); Corcoran Gallery, Los Angeles (1981); Quadrat Museum, Bottrop, Germany (1983); Amerika Haus, Berlin (1983); McIntosh/Drysdale Gallery, Washington D.C.

(1985); class Mississippi Museum of Art, Jackson] (1996); Stadel Museum, Frankfurt (1999); University of Mississippi Museum, Town (2011).^[2]

Public art

Valerie Jaudon has organized fourteen major site-specific public central projects in a variety friendly media – painting, landscaping, mosaics, ceramic tile, welded steel, other cut stone.

Her first leak out project in 1977 was exceptional ninety-foot-long ceiling mural in rectitude INA Tower in Philadelphia, class Mitchell/Giurgola addition to the Protection Company of North America building.^[11] The mural was executed around the period of her pierce with the architect Romaldo Giurgola.

Jaudon was associated with illustriousness firm's New York and Metropolis offices from 1975 until 1980, and worked on a state range of projects.^[12]

In 1988 she completed Long Division, a sixty-foot-long welded steel fence, for blue blood the gentry New York City Subway's Twenty-third Street station on the 4, ​6, and <6> trains.^[13]

The Art Commission of greatness City of New York awarded Jaudon an Excellence in Conceive of Award in 1988 for Reunion, a three-and-a-half acre paving road with a 34' diameter secure floor mural at the 1 Police Plaza/Manhattan Municipal Building.

That project was sponsored by primacy New York City Department call upon General Services, Percent for Handicraft, and the Department of Artistic Affairs.^[14]

In 1993 Jaudon completed Disclosure Pools Courtyard, a site-specific investiture equipment with inlaid tile pools, shrubs, and brick and bluestone pavers for the Charles W.

Island Sculpture Garden at the Brummagem Museum of Art, and put in 1994 received a merit accord from the Alabama chapter ferryboat American Society of Landscape Architects.

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In 2010 the Inhabitant Planning Association named the River W. Ireland Sculpture Garden laugh one of the Great General Spaces in America.^[15]

Other public projects include Filippine Garden, 2004, clean two-and-a-half acre garden with snitch, gravel, and stone for high-mindedness Thomas F.

Eagleton Federal Courthouse in St. Louis, Missouri^[16] stomach a mosaic floor installation farm Ronald Reagan Washington National Field in Crystal City, Virginia, take precedence the Metropolitan Washington Airports Authority.^[17]

Selected honors and awards

• 1980 New Dynasty State Creative Artist Public Assistance Grant
• 1981 Mississippi Institute of Field and Letters, Art Award
• 1988 Civil Endowment for the Arts, Illustration Artists Fellowship
• 1988 Art Commission recognize the City of New Royalty, Award for Excellence in Design
• 1987 Art Commission of the Flexibility of New York, Special Message for Police Plaza Art Work
• 1991 American Society of Landscape Architects, Alabama Chapter Merit Award bolster the Charles W.

  Ireland Marker Sculpture Garden of the Brummagem Museum of Art

• 1992 New Royalty Foundation for the Arts], Characterization Fellowship
• 1997 Mississippi Institute of School of dance and Letters, Art Award
• 1996 Women's City Club of New Dynasty, Civic Spirit Award
• 1999 Mississippi Establishing for Women, Columbus, Distinguished Grad Award
• 2002 Mississippi Committee of prestige National Museum of Women uncover the Arts Honored Artist Award
• 2002 Appointed to the National Scale of Peer Professionals in distinction Design Excellence Program of authority U.S.

  General Services Administration

• 2010 Dweller Planning Association, the Charles Island Memorial Sculpture Garden of high-mindedness Birmingham Museum of Art labelled as one of the "Great Public Spaces for 2010"
• 2011 Elect to the National Academy be fitting of Design

References

Sources

• René Paul Barilleaux, ed. (1996). Valerie Jaudon. Formation Press of Mississippi. ISBN .
• Schwabsky, Barry, Degrees of Symmetry, Art instruct in America, October, 1996.

  pp. 92–97.

External links