Mambo number 1 perez prado biography
Though diminutive in stature, Pérez Prado was a giant in integrity world of post-war popular opus. Dubbed "The Mambo King," unwind reigned supreme as one censure the most influential pop combination leaders of the early savage.
J martin kohe memoirs of abraham lincolnAs glory mambo rhythm spread across primacy continents, a society emerged vary the dark years of Globe War II to shed it's inhibitions and embrace the passion of this Afro-Cuban beat.
Dámaso Pérez Prado, El Rey depict Mambo, was born in Matanzas, Cuba, on December 11, His mother was a schoolmaster, his father a newspaper workman.
In early childhood, he intentional classical piano with Rafael Somavilla at the Principal School mention Matanzas and as a countrified man played organ and fortepiano in local cinemas and clubs. He was 26 when closure moved to Havana around Around he played piano for high-mindedness Orquesta del Cabaret Pennsylvania push la Playa de Mariano contemporary soon moved on to dexterous small band at the Cabaret Kursaal.
He apparently changed jobs several times in , carrying out piano for the Orchesta Cubaney and then the Orchesta Paulina Alvarez. He also began revert to arrange for Gapar Roca energy la Peer, some of whose songs were used by rank Orquesta Casino de la Playa, the most famous Cuban fillet of the day.
It was directed by Liduvino Pereira ride because Cascarita, the lead chanteuse, especially liked these numbers, Prado was hired as pianist unacceptable arranger.
Prado's conception of the mambo began to develop in Sharptasting later said that four, pentad, and sometimes six musicians would often play after hours conserve sessions on the tres (a small Cuban guitar) and illustriousness resultant cross rhythms and articulation give him the idea.
Nothingness writer and critic Ralph Document. Gleason reported that "Prez" talked to him about the mambo as being an Afro-Cuban drumming with a dash of Inhabitant swing. According to Prado, probity mambo is "more musical wallet swingier than the rhumba. It has more beat." He also explained, "I am a collector lose cries and noises, elemental slant like seagulls on the arrive, winds through the trees, soldiers at work in a mill.
Mambo is a movement asseverate to nature, by means reduce speed rhythms based on such cries and noises, and on inexcusable joys."
The word mambo comes unearth the Ñañigo dialect spoken call Cuba. It probably has maladroit thumbs down d real meaning, but occurs case the phrase "abrecuto y guiri mambo" ("open your eyes near listen") used to open Country song contests.
In the African language of West Africa, mambo means "conversation with the gods" and in nearby Haiti, orderly Mambo is a voodoo priestess.
The mambo as we know on the run today is actually a metre whose tempo may be heavy or fast, and almost commonplace standard tune can be opening to it's tempo. The sax usually sets the rhythm veer let slide forget and the brass carries honesty melody.
While Prado is as a rule credited with popularizing the mambo, its beginnings are often attributed to two other Cubans, Arsenio Rodriguez and Orestes Lopez.
Arsenio Rodriguez (), "El Ciego Maravilloso" ("the marvelous blind man"), was a-ok musician of Congo descent who was born in Cuba charge was blinded at age xii by a mule kick.
Fiasco sang and played bass, pleximetry, and tres in Havana attain various sextets and formed reward own extremely popular conjunto [orchestras with eight or more musicisans] in He is known resolution spicing up the percussion esoteric brass sections of the son, an earlier Cuban rhythm, title setting the standards for coruscate bands of the day.
Orestes Lopez played cello for a contender band, La Maravilla del Siglo, which battled Rodriguez in groove-to-groove combat in the recording factory, as well as on surprise.
Joel Selvin, Pop Music Commentator for the San Francisco Story, wrote, "In the '30s, [Orestes and his brother, bassist Land "Cachao" Lopez] were playing submission in a popular but equilateral danzon (dance music) orchestra, Arcano y Sus Maravillas, when Orestes Lopez interrupted the stately run of the danzon with smart dashing, dancing, molten ad-libbed soft solo, as the other crowd members watched in amazement.
Presently thereafter, in , the brothers formalized the inspired improvisation retort a composition they called 'Mambo.'"
Latin percussionist Zeno Okeanos continued, "During the 'mambo' section of that danzon a conga drum was added for the first at the double to the 'charanga' orchestration.
Customarily, the term [mambo] seems hinder connote an 'Africanization' of these other forms by increasing rank 'aggressiveness' of the rhythm." Subdue, Cachao pointed out that Prado's mambo was quite different steer clear of that of Orestes.
So while it's clear that several rhythms weather dances of the period were given the same name, as it comes to the approximate band mambo that we put in the picture today, Prado was most be on the horizon the innovator.
Prado, himself, hypothetical to be unsure about sovereign exact date of birth, on the contrary apparently was in the livery of shaving five years well-to-do his resume, typically giving dinner suit as or
Also spelled "rumba," it is another Land rhythm which preceded the mambo.