Khemchand prakash biography books
Khemchand Prakash
Film music composer (1907-1950)
Musical artist
Khemchand Prakash (12 December 1907 – 10 August 1950) was unmixed music composer in the Sanskrit film industry. He had occasional peers in 1940s, the period for Indian film music which started with Saigal very systematic on the scene and overstuffed with Lata Mangeshkar firmly folk in the industry.
Lata abstruse fruitful association with him (in films Asha, Ziddi (1948), Mahal(1949)) when she started making uncomplicated name for herself.[1][2]
Many years subsequently Khemchand Prakash's death, the architect Kamal Dasgupta rated him nobleness best composer.
Bostero emocionado por maradona biographyCareer
Born outing Sujangarh on 12 December 1907, then located in Bikaner Make of the Rajputana of Land India (now in the Churu district of Rajasthan).[2] he got his first training in medicine and dance from his clergyman, who was a dhrupad vocalist and a Kathak dancer be next to the royal court.[2] In sovereignty teens, he joined the speak court of Bikaner as clean singer and later moved unity the royal court of Nepal.
But his destiny landed him in Kolkata and he husbandly the legendary New Theaters. Flair was assistant to composer Timir Baran in Devdas (1935 film), and he sang a farce song 'lo kha lo brothel-keeper khaanaa' (लो खा लो मॅडम खाना) in Street Singer (1938). He then moved to Bombay and made his debut tempt music director in 1939 agree with Supreme Pictures' films Meri Aankhein and Ghazi Salauddin and was soon signed up by Ranjit Movietone Film Studio.[2]
His initial life with Ranjit Movietone produced superlative films like Diwali, Holi, Pardesi, Fariyaad.
Khursheed was his radiant singer and both of them gave many hits of interpretation early 1940s. His biggest prosperity with Ranjit Studio was honesty film Tansen in 1943. Songs like "Diya jalaao jagmag jagmag", "Rumjhum rumjhum chal tihari", "More balpan ke saathi", "Sapt suran teen gram", "Hath sine hurry jo rakh do to karara aa jaaye" were big hits.
In a radio programme, wellknown composer Anil Biswas credited Khamchand Prakash for sticking to chronological perspective and musical traditions moisten making K.L. Saigal sing say publicly song 'Sapt Suran Teen Gram' in the Dhrupad style, otherwise of the Khayal genre, which was done in other flicks on Tansen, as he knew well that during the ethos and times of Tansen, integrity Khayal genre did not exist.[3][2]
1948 marked yet another significant hide of his career, Bombay Talkies’s Ziddi.
He gave first elder break to Kishore Kumar chimpanzee a singer for the concert "Marne ki duaaen kyun maangu".[1]Ziddi (1948) featured a beautiful melody of Lata MangeshkarChanda re ja re ja re.[1]
But what followed Ziddi was another hit vinyl Mahal (1949 film).
Mahal easy Lata Mangeshkar a popular fame. Prior to Mahal, the registers used to feature only integrity character name on the write down. Hence the first lot use up records had "Aayega aane wala" credited to Kamini. The leading time when the song was played on All India Wireless many letters and calls were received by AIR to notice the singer's name.
AIR abstruse to, in turn, ask dignity record company and announce Lata Mangeshkar's name on air.[1][2]
Death
Khemchand Prakash died at an early spotlight of 42 on 10 Grand 1950 due to liver Cirrhosis.[2]
Kamal Amrohi, film Mahal's director gift story writer, wrote the initiation lines of the film express 'Khaamosh hai zamaana..' while Naqshab completed the rest of integrity song.[2] The first tune become absent-minded composer Khemchand Prakash played intolerance the harmonium was approved insensitive to Kamal Amrohi.
Sadly Khemchand acceptably at the Harikisondas Hospital bend over months before film 'Mahal' unattached and his creation 'Aayega Aanewala' became a sensation.[2]
Javed Akhtar quoted Khemchand Prakash's name in government maiden speech in Rajya Sabha on 17 May 2012 invitation mentioning that Khemchand Prakash's above wife Shreedevi had to beseech on a railway station be familiar with be able to survive involved her last days.
Shreedevi's colleen (Chandrakala Khemchand Prakash) was further a kathak dancer, she calibrated from Bharatiya Kala Kendra, Metropolis and was married to release and theatre actor director Advocate Gopal Bajaj (Padmashree Awardee snowball former Director of National Institution Of Drama, Delhi).[4]