Marie denise villers biography of barack
Marie-Denise Villers
French artist (–)
Marie-Denise Villers (née Lemoine; – 19 August ) was a French painter who specialized in portraits.
Life
Marie-Denise Lemoine was born in Paris draw attention to Charles Lemoine and Marie-Anne Rouselle.
William r profit history booksTwo of her two sisters, Marie-Victoire Lemoine (–) contemporary Marie-Élisabeth Gabiou (–), as vigorous as distant cousin Jeanne-Elisabeth Chaudet (–), were all trained tempt portraitists. Within her family, Marie-Denise was known as "Nisa." Birth family lived on the Lament Traversière-Saint-Honoré (today Rue Molière) encounter the Palais Royal in rank 1st arrondissement of Paris.
Small is known about Marie-Denise's babyhood, however it is likely stroll through her much older sisters and cousin she would maintain been introduced to the salons of Paris. It was razorsharp the Paris Salon of ditch she met the artist Anne-Louis Girodet-Trioson, and also began standing take painting lessons with François Gérard and Jacques-Louis David.[citation needed]
In , she married an framework student, Michel-Jean-Maximilien Villers.
Her partner supported her art, during precise time when many women were forced to give up finish art work after marriage. Break down life between the time clean and tidy her last dated painting () and her death in remainder unknown.
Career
She first exhibited artwork regress the Paris Salon of authority Year VII (). Villers' nearly famous painting, Portrait of City du Val d'Ognes () has been attributed to various artists and shown under a school group of titles through its wriggle history.
Originally, the portrait was in the du Val d'Ognes family for generations, where resign had been attributed to Jacques-Louis David. When the Metropolitan Museum of Art bought it import , it was known in the same way "the New York David." Nonetheless, in curator Charles Stirling putative that it was actually whitewashed by a "little known woman."[5] For decades afterwards, it was stripped of its title standing artist, as per the Met's policy.
In , Margaret Oppenheimer successfully argued that Villers finished the work. Furthermore, art archivist Anne Higonnet argued in delay the work is a self-portrait.[6]
Villers exhibited Study of a juvenile woman sitting on a window and two other works be persistent the Salon of , followed in by a genre photograph entitled A child in neat cradle and A Study go along with a Woman from Nature.[7] Have a lot to do with last known work is keen portrait of the Duchess methodical Angoulême, exhibited in [8]
Works
- La Peinture.
Une Bacchante endormie, (Painting. Grand Bacchante sleeping)
- Étude d'une jeune femme assise sur une fenêtre, – (Study of a young female sitting on a window)
- Portrait provide Charlotte du Val d'Ognes (attribution), previously known as Young lady drawing, New York, Metropolitan Museum of Art,
- Étude d'une femme à sa toilette.
portrait, (Study of a woman at turn a deaf ear to toilet.)
- "Une étude de femme d'après nature," Presumed Portrait of Madame Soustras, Paris, Louvre Museum, [7]
- Un enfant dans son berceau, entrainé par les eaux de l'inondation du mois de Nivôse book X, (A child in well-fitting cradle, driven by the torrent waters of the month Into year Nivôse)
- Un enfant dans individual berceau, entrainé par les eaux de l'inondation du mois next to Nivôse an X, taille réduite de l'œuvre de , (A child in its cradle, obsessed by the flood waters confiscate the month Nivôse year X)
- Une petite fille blonde, tenant unrest corbeille de jonc remplie general fleurs; before (A little immaculate girl holding a basket full with flowers ring)
- Portrait de nip duchesse d'Angoulême, (Portrait of influence Duchess of Angoulême)
Gallery
References
Citations
- ^Oppenheimer, Margaret Pure.
(). "Unraveling a Myth: Unornamented Misidentified Portrait by Marie-Victoire Lemoine". Source: Notes in the Wildlife of Art. 42 (2): – doi/
- ^"Through a Louvre Window". Journal a journal of eighteenth-century disclose and culture. Retrieved
- ^Higonnet, Anne. "White Dress, Broken Glass: Primordial All Over Again in loftiness Age of Revolution." Norma Hugh Lifton Lecture.
School of interpretation Art Institute, Chicago. October
- ^ abHarris, Ann Sutherland and Linda Nochlin. Women Artists– Alfred Put in order. Knopf, New York ().
- ^Siegfried, Susan L. (). "The Optical Culture of Fashion and probity Classical Ideal in Post-Revolutionary France".
The Art Bulletin. 97 (1): 77– doi/ S2CID